“Hey, my name is Brody,” our new friend tells us as he clunks down on the couch. We’re best buds as of two minutes ago.
“I’m from Del Mar. All the beaches down there are great. I like to hang out, play in the waves, go to clubs. Ride my boogie board through the waves. My boogie board…”
But we’re lost track. This boy version of baby talk always intoxicates us to the point where we start focusing on things like the wisp — the faintest whisper — of reddish hairs that curl up his flat suntanned tummy. You hardly see them except that they fleck red and gold when he breathes. Follow the tracings and they gather finally in a tuft that twirls around his belly button.
“Get all wet and crazy …”
Huh, we say. That part got our attention.
His shoulders drop and he gives us that pained look of infinite forbearance that only a 19-year-old can truly muster. He repeats his words, slowly now, in case we’ve fallen back on lip-reading. “The surf? In the rain? Gets all crazy? And the sea turns knarly and that’s when the big waves…” (read the full article)


There’s more than Voodoo down here on the Bayou.
As so often happens, our thoughts turn once again to the liner notes on Barbra Streisand’s
Gay men, especially artistic ones, like to fancy themselves as outsiders. But the real social pariahs — the unhospitalized schizophrenics, death-row inmates and self-taught visionaries that are featured in a new gallery show of
“My models are sort of the strongmen of my dreams,” Michael Alago told us when we first ran a piece on his 




