Macbeth in the buff — why hadn’t anybody thought of it before?
The idea was as natural as …well, as Mickey Rooney turning to Judy Garland and bubbling “I know! Let’s set Shakespeare to music!” And Judy bubbling back “But lets do it in Swing!”
When a theater company in Arlington, Virginia decided to put on a Macbeth for the 21st Century, director Jose Carrasquillo wanted something tribal and violent, something suggestive of “an animal-like clan and society.”
“Twenty minutes,” decided the critic for the Washington City Paper. “That’s about how long it takes to get used to the nudity in José Carrasquillo’s eerie, intelligent, and visually arresting Macbeth.”
A tad more skittish about the balls-out production, with its cast of mostly male actors (give or take a few witches), was the reviewer for the A.P. wire service: “Folks in the front sometimes cringe and move back a few rows during intermission,” the scribe reported sheepishly. “One man watched the play with a programme in front of his eyes, blocking out the lower half of his field of vision.” (Awwwww, the poor fragile darling. What? Were all the showings of Evening sold out?) (more…)


Her trademark was the triple-ply false eyelashes, mascara-streaked tears bubbling out through the blissed-out smiles, and an ability to sing, laugh and cry all in the same hallucinatory moment.
Yes, several sightings of the Celestial Phallus have made the news this month.
Our favorite moment: the Sirens, appearing in all their Neptunal, sea-weedy weirdness, singing — this, the genius touch — the theme from Love Boat (”Aw-hhh, Love. Exciting and new. Come aboard.
It’s bound to happen. 
Baring the Truth wonders if bareback porn is responsible for a recent upswing in HIV sero-conversions.






