
John Waters is one of the icons of these post-Andy Warhol times.
Once hailed as a “Master of Sleaze”, the man with the creepy pencil mustache and the look of a drained vampire shunning the sun behind big swoopy sunglasses, John Waters has, with his films and books, subtly shaped the atmosphere of hip taste and pop intellectualism. It now drapes around him as comfortably as a well-made suit.
As the picture at left quietly attests, he is the essence of courtliness and chic, reminiscent, oddly, of Zachary Scott, the silky, duplicitous playboy who so brings our Joan to grief in Mildred Pierce. Yes, the bard of Baltimore has become stylish — after all.
Stylish and one of our sharpest gay humorists.
More culture critic, than funny man, his refreshing — at times, startling — takes on recent cultural events such as Britney’s MTV debacle or his own surprising commercial success with the musical Hairspray were on offer in an interview he gave a North Carolina newspaper, The Independent, before his talk there at Duke University. (read the full article)
You met him online and he seems like a real stud. 


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