When you live to fuck and fuck to live there are few — precious few — moments that throw a wrench into your spectacular cum flow and shut the whole Vegasy water show down.

Such was the moment last Wednesday, at approximately 9:57 in the evening, when the men of Raging Stallion — whom on happier days we refer to as a stable of studs, as a stampede of rambunctious ponies — came face to face with grief as they witnessed the sudden, shocking going of Chris from the American Idol stage.

Not Chris, not Chris! — the cry went up. Hunky, quarterback-chested boy-beauty Chris! He of the Justin Timberlake scalp stubble, the glittery ear studs in each ear, the athletic neck of such promising thickness!

A pall fell over the men crowded into the TV room, for the sling room had been emptied and all filming had stopped throughout the studio as it always does during the Results show.

Each man sat sunk in his own private thoughts with nary a concern for how he was hanging at the moment, vaguely aware that his major manhood was modestly — but ah, not completely, never completely — concealed by a towel.

Instead all eyes were on Chris, who was going out, in the cruel tradition of the show, bravely: singing his — alas, still tuneless — final, losing song.

And while we’d like to say a tear was shed in that room, it wasn’t. Porn stars — like Joan Crawford in The Damned Don’t Cry — have to conserve their liquid flow for the camera.

Different people handle grief differently. Stallion stars Vincenzo and Sarib (above) immediately went before the cameras and starting fucking like rabid dogs. This was their therapy. (read the full article)

OMYGAWD!

It’s our favorite porn dream come true! Whenever these two outrageously cute American Idols hit the stage our wicked minds race to undress them. Then we toss blond-streaked Blake and hypnotically slate-eyed Chris together and … well, wait to see what pops up.

And we thought it was a dream. And guess what! It is, apparently. Courtesy of Photoshop…

OR IS IT?

hat tip to Towleroad

Considering whether I would watch last night’s American Idol showdown reminded me of one of Samuel Goldwyn‘s classic malapropisms: “You’ve got to take the bitter with the sour.”

Preferring to do neither, the boyfriend and I skipped the battle of the dullards. We will, however, TIVO tonight’s finale because Elliott Yamin is scheduled to perform with the new Queen of Soul, Mary J. Blige — Fuckin’ A, E!

Yesterday my bitter mood regarding Elliott’s ouster finally lifted. I got sane and started to rethink things — to reevaluate the play of the Fates. Soon a lot of silver linings began to sparkle through the cloud cover, and I began to feel that my boy pulled off the best of all possible outcomes for himself. He matured as a man, deepened as a vocalist, earned a gigantic fan base, and, by placing third, escaped the clutches of the vampiric Clive Davis and the draconian contract from American Idol‘s 19 Management. All of that made me happy. Which made me reflect on all of the qualities I came to appreciate about Elliott Yamin throughout the competition.

Here then are 10 Reasons Why I Love Elliott Yamin and why I’ll remember him long after this season of Idol fades to blah. (read the full article)

Of course I’m making reference to the small patch of land that became infamous following JFK’s assassination in 1963. It has been speculated that extra gunshots were fired — in synch with Lee Harvey Oswald‘s — from the bushes of the knoll, doubly insuring the president’s demise. In a similar conspiratorial spirit I offer you my observations about last night’s big Idol sing-off and why hidden forces worked extra hard to guarantee that Elliott Yamin would not be back for his well-deserved Kodak Theater moment.

It’s a freaky coincidence how the first singer to begin each year’s Final Three show is the Idollette voted off the following evening. This mystery has proven true since Idol debuted four years ago. Elliott, of course, went first last night.

The AI band, lovingly referred to by detractors as Bandzilla, was set on stun and destroy whenever Elliott took the stage. The effect was like watching a small boat negotiate gigantic waves and treacherous tides on its journey home. To stay the course Elliott had to push his voice hard and then compensate for the extra effort by losing some of his natural flair. Even with the extra contorting, he never wavered — despite the higher key he used to churn out the cheese during Count Chocula’s pick for him: Journey’s Open Arms. (read the full article)

It was one of those ultra supreme American Idol moments last night. So cruel, so surprising, so whacked out — Paula’s face buried in her hands. Simon’s anger clamping his sphincter as tight as a vise. You could almost call it Greek-mythic. “America voted,” and Ryan Seacrest delivered the result in a nonchalant trice: The fatal pronouncement, like a trapdoor deathblow, melted Chris Daugherty‘s face right on the spot — so much so my heart actually sank for him.

But then I felt great.

Buh-bye Chris — pictured here with Morticia Addams Priscilla Presley as she welcomes the one-note Creed knockoff to her Hall of Irrelevance. Cue the haunted house sonics. Especially that effect of a large door slamming shut.

When my boyfriend mentioned that Chris shouldn’t have talked about his underwear on Elvis night, I thought he was joking. On second thought, he’s probably right.

I mean, Tuesday night was the first time in a while I was starting to warm to Chris — his performance of Suspicious Minds was understated and believable. Almost charming. But who’da thunk some boxer-brief chitchat would freak out his straight-guy fanbase to such a degree? Was it too “gay” for them? Or maybe it was too vulgar a confession for his Christ-O-Rama constituents? Not to worry. I’m sure Chris will be announced as the new lead singer for Fuel next week. (read the full article)

Why am I not surprised? We are, after all, still living in the reign of George II, King of the Second-Rates. American Idol‘s two best vocalists — Elliott Yamin and Paris Bennett — hit the bottom two last night. So let’s see, that leaves the show’s next best vocalist Katharine McPhee lodged in the number three slot with the Monotone Maven (Chris Daughtery) and Gray Charles (Taylor Hicks) in the top two.

Let’s skip the psychics and decode Idol‘s new “official” photo (right) which was released this morning. The tableau tells us exactly how the next four weeks will play out. Photo’s often reveal more than we dare hope for, and this one … well, this one’s got me crying in my beer.

Elliott, smushed to the edge and with the lowest height, will be the next Idolette to follow little Paris down the chute.

Nerves did him in during Tuesday’s opener, a notoriously bad placement on the show. There’s a reason long-time viewers of Idol call it the Death Spot. (read the full article)

I watch American Idol for those magic moments when a transformation takes place, the crossroads moment, the moment when the kid on stage becomes a budding star in command of that stage.

And last night’s Idol offered up so many moments — both ill and golden — it was like watching one of those Cum-Shots-Only porn reels. I felt giddy and spent and wanted a cigarette afterwards. I was so tweaked I needed to clean myself up. The entire hour was one long clarifying moment when the gods and goddesses of Fame parted the veils and we saw right straight into the soul of each contestant. Fakers were exposed; true-blues glorified. (read the full article)