
You know you’re a media-obsessed moviephile when you watch gay porn and dig the sets.
It used to be that actors and directors were the ones to watch when it came to mainstream crossover status; now, the sets themselves are turning up in big legit products and later getting outed in all their if-these-walls-could-talk iniquity.
The Age of Porn Creep is such that an Academy Award-nominated movie like The King’s Speech could be lensed on a former jizz-spattered UK Naked Men set. Even pop stars like Lady Gaga and Beyonce find themselves seating their royal asses in locales once occupied by bare-assed gay porn stars. How long before a glitzy Hollywood epic and its downmarket porno double filled with lookalike tableaux and stars simply opt to divvy up their shooting schedules between day and night?
The digital era has changed porn just that much — not just how it’s made but where it’s made. Yes, the sex acts themselves are still highly-contrived and intricate, but porn is losing some of its theatrically in terms of actual production value. I’m one of the rare people who’ll admit to liking the artifice of studio-produced porn over guerilla amateur porn; I like the idea of a movie about sex. The days of fuck flicks being filmed in tiny movie studios and outdoor lots — often converted from warehouses and even grocery stores — is dwindling. Today, a typical porn shoot takes place in otherwise mundane flipped private residences, known in the industry vernacular as “porn houses.” Usually, these are owned by producers or directors, or lent out to crews by private management companies on a film-by-film basis. They tend to be fairly easy to distinguish for the keen-eyed viewer; a generic rent-a-home will have a blandly anonymous showroom look, while a director’s domicile will often boast a disco ball, headache-inducing day-glo paint, a Gay Interest bookshelf, and an immense painting of Cher circa Moonstruck looming over it all.
Only one question remains: with the trend for prefab cookie-cutter gay porn production in full swing, which elements of old skool all-male action shoots will adapt to the new standard, and which will fall by the wayside like a flimsily painted backdrop? (read the full article)








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