
Love is the drug…
Roxy Music said it best: the things that fulfill us can often be the very yawning wells that consume us.
Society conditions us to believe that institutions like family and marriage — along with “pure” sentiments like love, hope, and faith — are indisputably positive forces that compel us to act rightly. A lovely sentiment, but still false.
Any curtain-closing kiss can fade to deep, devastating black even after the credits roll, and anyone who’s loved too well knows the treacherous paths our hearts can lead us down — a desert-spanning Lost Highway dotted with signs reading “Danger Ahead” and “Dead End” under the shadowy wingspan of the looming vulture.
For all the lurid curiosity lavished upon sex crimes, too often it’s overlooked that love crimes can be the more monstrous and psychologically weird offenses; this is the dynamic in which selves start to inextricably entwine, superegos begin to topple, and shared fantasies of blood and death find an outlet. Pair killers — Bonnie and Clyde, Martha Beck and Raymond Fernandez (aka The Lonely Hearts Killers), and “Schoolgirl Killers” Paul Bernardo and Karla Homolka — bound by inhibition-drowning desire and lethal codependency turn up again and again in the annals of True Crime, each seeming to strive to top the vicious, predatory eroticism and all-cylinders-to-oblivion self-destruction of the duo that preceded them. Soul-mirroring love is the goal we all strive for, but we’re never admonished of the peril of fulfillment, the folly of storybook love; sometimes, finding our idealized mate signals the very crack of doom, and as we lose ourselves in symbiotic abandon, the question becomes not so much Happily Ever After? as it is:
Will we kiss or kill?… (read the full article)





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