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![]() 'm not happy 'til I've found the quiver in a man. The hidden part that trembles. I don't think I'm anywhere near home base with a sex partner if I haven't beckoned to and found the involuntary part of him that shudders and opens and spills out what's in it. I'm not talking about cum necessarily. Although in porn, I'm almost always only interested in the cum shots. Even the most self-conscious porno star/poseur can't come to orgasm -- at least for the nanosecond his body and psyche are able magically and unconsciously to call it up -- without delivering something completely unguarded, something irresistible to him -- something he can't help sharing with whoever catches the quick grimace and rolled-up eye that accompany the enigmatic blast-off. I love everything about this moment. I love everything about cum (its idiosyncratic smell, heat, taste, urgency), but mostly I love what it signifies: the product -- the proof -- of a man's deepest wildest shuddering ability to abandon himself. An orgasm is quite rightly called "a little death." It plunges us into the ephemeral fragile mysterious center of our own aliveness -- we learn, for that nanosecond, the most thrilling and terrifying thing we can know: how close we are to the edge of annihilation. We Fuck and Get Fucked Maybe this seems like obvious stuff. Maybe -- if you're a gay man -- it even seems wrongheaded, the lengths to which I suggest we'll go to hide our vulnerability. In fact, to many gay men, the orgasm's secret thrilling closeness to self-annihilation is no secret at all. Many of us are not only conscious of this volatile mix of terror and desire -- we've often found ways to heighten it to an exquisite pitch. We fuck the mind, sometimes, as expertly as we may fuck the butt or face -- we know that sex is in the head. Some of us, in various ingenious forms of sadomasochistic edgeplay, have turned Sex's defining threat of annihilation into wildly imaginative, unnerving but often profoundly satisfying erotic "theater." Ambivalence, sexual ambiguity ain't news to most of us. We play with it every day. But it is news to most of the rest of the men on the planet. We know something as gay men that few heterosexual men know as well -- or at all. We know what it is to fuck and get fucked. This is why we scare the hell out of straight men. Wild Ride on The Gender Track Straight boys don't have it much easier, but the challenges they face are fundamentally different. The persistence of homophobia is a fascinating marker of their particular grapple with growing up het. Whatever you may otherwise think of Freud, his depiction of the Oedipal "moment" in any child's life, but particularly a het boy's life, is pretty compelling -- if only as a symbol. Don't freak at the jargon. As Joseph Campbell succinctly put it, it's the moment when a boy becomes his father's child instead of his mother's child. It's the moment when he accepts himself as DIFFERENT from mommy, and -- through a series of wary standoffs ending up in an initially uneasy but ultimately very powerful (indeed self-defining) "tribal" bonding with his dad -- finally defines himself as a Man. But there's a problem. To reach this self-definition, he has to quash any vestige or feeling of identification with the female. He has to renounce any connection with his own vulnerability. This isn't just an abstract problem. It's what allows a straight man to get a hardon: convincing himself, "I'm a wolf, not a friggin' baby!" (Talk to any het woman about fragile male egos and expect to hear -- long into the night -- endless evidence of how delicate a balance this macho bravado really is.) So what happens? These fukkin faggots start flaunting their stuff! Hardest to swallow (so to speak) is: a lot of faggots are fukkin MORE "masculine"-appearing -- better looking, tougher, more muscular, etc. etc. -- than THEY (het men) are! This becomes very nearly intolerable: that a creature like you or me could play "Man" (sometimes) better than "the real thing." Is it any wonder that the worst epithet a nine-year-old boy on the playground could hurl at another nine-year-old boy (no less in 2001 than in 1951) is: COCKSUCKER or FAGGOT? The idea of a male permitting himself to "fuck and get fucked" -- or, more to the point, the notion of one man fucking another man -- is one of the most terrifying prospects a "het" male can conceive because it so violently counters his deepest Oedipal lessons -- lessons which after all have given him his identity. On some unconscious level, the idea of one man's dick up another man's butt inevitably makes him think: "Daddy would kill me if I did that" (or worse, "did that" with Daddy. This is why the incest taboo is so powerful between father and son.) The Ambiguity of the Jockstrap The jockstrap is perhaps the quintessential homoerotic ritual robe because, just as it enshrines the symbol of the myth of masculinity, so too the straps that originate in the top elastic circumscribe the buttocks and disappear at the anus, bringing us to that place where masculinity meets its mythic undoing. In adopting the jockstrap as an erotic fetish, gay men have once again raided the sanctuary of the "butch" straight male locker room -- and revealed its central symbolic raiment for the erotic dick-crotch-and-butt-framing device it inescapably is. Once again, gay men are shoving stuff into straight men's faces that straight men have a powerful investment in not knowing -- blasting through heterosexual males' entrenched defenses against their own homosexual curiosity (and, God help them, desire). No wonder they want to kick faggot butt. Boyz Just Wanna Have Fun To me, the problem gay men face isn't so much "internalized homophobia" as it is an internalized fascistic (dogmatic) notion of masculinity. Homophobia is a REACTION to fearful tenets about gender that precede it -- lessons of gender laid down so early that, unconsciously, they seem incontrovertible. The bad news is, we can't eradicate these lessons -- in some ways, we depend on them for our own self-definition (if sometimes more in defiance than adherence) as vitally as our straight confreres do for theirs. The good news is, we can become more conscious of these allegorical warriors in the pit of us -- these guardians and seductresses that both bar the way to the "aliveness" of an orgasm and beckon us into it. We can, in other words, learn we can tolerate the inevitable conflict these wolves and infants create for us -- be enriched by it -- allow it to show us new ways to "play." The more important question this will help us to answer is not so much "why we scare straight men," but why we scare ourselves. We'll discover that we each have our own very particular answers to that question -- answers peculiar to our own idiosyncratic selves and souls. But boy it can be fun figuring them out.
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Guy's authority is varied, and enthusiastic: He has been frequently interviewed about Quentin Crisp, and speaking appearances have ranged from a talk at Middlebury College about "alcoholism, recovery and the college student," to a presentation as part of the Sexuality Series at New York's Lesbian and Gay Center (topic: "Why Does That Turn Me on? The Iconography of Sexual Fantasy) in which he appeared in jockstrap, black leather jacket, playing Czardas on the violin -- to demonstrate one of his animating premises, expressed in E.M. Forster's famous line: "Only connect". A graduate of Middlebury College, he has done graduate work in English literature at the Bread Loaf School of English and Oxford University, graduate work in psychoanalysis at the New York and Boston Centers for Modern Psychoanalytic Studies and studied violin at the Juilliard School of Music and New England Conservatory. Mr. Kettelhack lives in New York City. Email: GuyBlakeKett@aol.com
collage by David K. Picture credits: top row right: photo by Pez Bono; left and center middle row: Illustration by Willem Kok; bottom center: illustration by Lewis. All with permissions.
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